Fight Like a Girl–now with video!
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This is a new song Rand and I have been working on…we’re trying hard to have it ready to debut in a circle at this weekend’s FilKONtario. We also plan to perform it in our concert at Marcon in May.
UPDATE: we now have video, thanks to the awesome Tom and Sue Jeffers. š
I can roar like a lion, though I look more like a lamb
And I know I’m so much stronger than you all think that I am
I’ll stand up for every person in the world who’s ever heard
Someone say, “You’re not a fighter, you’re just a girl”
Iāll fight like a girl
I’ll fight like a girl
I’ll fight like a girl
Iāll fight until I’ve won
Iāll fight like a girl
I’ll show ’em how it’s done
I’ll fight like a girl
I’ll make them all eat their words
And fight like a girl
Iāve taken down vampires, zombies, Sith lords, reavers, and spies
Iāve escaped from countless supervillains without the help of the guys
Iāve destroyed evil empires and cheated death like a pro
With my stake, my katana, my battle staves, and my bow
(Repeat chorus)
Bridge:
My name is Kamala, Natasha, Michonne
Itās Katniss, itās Zoe, itās Sarah, the clone
Buffy, Veronica, Bobbi, Barbara, Diana, Melinda, and Rey
Call me Leia, or Sydney, or Peggy, or Carol, or Kara or October Daye
Iāll fight like a girl
I’ll fight because I’m right
I’ll fight like a girl
I’ll fight all day and night
I’ll fight like a girl
I’ll fight the dark with the light
I’ll fight like a girl
I’ll punch, kick, and bite
I’ll fight like a girl
I’ll fight with all my might
Iāll fight like a girl
I might even decide to not fight
Nah
I’ll fight like a girl
I’ll fight until I’ve won
I’ll fight like a girl
I’ll show ’em how it’s done
I’ll fight like a girl
Til everyone in the world has heard
I’ll fight like a girl
I started a full con report, which I suppose will get finished eventually…but for now, I wanted to get this post up about our concert for any interested parties! It went really, really well overall and I once again would like to thank the concom, the guys working the sound board, Amy McNally for providing her awesome fiddling on a couple of songs, and just everyone in that audience. I wasn’t kidding when I said I wanted to hug you all. *hug*
So, this was our setlist for the ConComās Choice concert at GAFilk (with notes):
Heaven on Their Minds
really, seriously, just a straightforward cover of the song from JCS. (The Original London Recording is my preferred version. ymmv.)
Pandas/Jesus
A mashup of āPandasā by Corky and the Juice Pigs and āThis Jesus Must Dieā from JCS
(Storybook) Love Story
A parody of Taylor Swiftās Love Story, about The Princess Bride (lyrics here)
The Princess Who Saved Herself
A cover of the Jonathan Coulton song (minus the phone call bridge)
Actually Ironic
A few years ago, College Humor or Funny or Die did a video that adapted Alanis Morrisetteās āIronicā to make it, well, actually ironic. We didnāt think it went far enough and added some of our own little twists to it. This went over really, really well.
Ex
Dear Seanan
With Seanan in the audience! Squee! This is a parody of Seananās song āDear Ginaā (lyrics here, by me and Merav Hoffman) Lyrics and video from our FKO concert here.
Real
from William Shatnerās album Has Been. (which you should totally check out if you havenāt already.) This song was a collaboration with Brad Paisley. I played the part of William Shatner. Amy played fiddle. It was awesome.
Tiberius Rising
Just a straight performance of Ooklaās song with Rand on lead vocals, Amy on fiddle, and me singing a bit on the chorus.
Little Red Riding Hood
Cover of the Sam the Sham and the Pharaohs, featuring me on the ukulele, alone…Iāve done this in open filk a couple of times, but I was REALLY NOT PREPARED to do it on stage. OMG. My fingers forgot how to work, and it was almost a total disaster…but the audience seemed to have a good time anyway and everyone seemed to be on my side and nobody threw things or anything!
Cowboy Secret Space Detective
with two new girl-centric verses! And yeah, I screwed up the lyrics (both in performance and when I posted them to facebook) and I am super embarrassed.
Havenāt We Been Here Before
A cover of a Styx song from the album Kilroy Was Here
View Mistress
āView Masterā with lyrics modified by vixy (and tweaked here and there by Rand and me)
Cliffs of Insanity
A parody of āGreen Hills of Harmonyā about (again) The Princess Bride, lyrics by me and Rand (lyrics here) And hereās a video from FKO.
Obviously, links for a lot of things are provided, both to lyrics and video…Iāll get lyrics for some of these other things posted at some point.
And just in case you need a reminder of how much I never ever EVER thought I would sing in front of people let alone on a stage, you can read more in my writeup from FKO in 2013.
Oh, and do let us know if you have photos, video, or sound recordings from the concert…we’d love to see/hear them! (er, well, I could maybe do without ever seeing or hearing that performance of “Little Red Riding Hood”…)
Hey, I forgot to post my most recent lyrics. No video of this one, at least not yet. š We performed it at FilKONtario. Those of you coming to ConCertino will have a chance to hear it this weekend. š
(Storybook) Love Story
Music: āLove Storyā by Taylor Swift
I’d torment you whenever I saw you
You were my farm boy and I was in love
I saw you there, sunlight dancing on your golden hair
What could I say, you looked just like a picture
I just pointed saying, “Fetch me that pitcher”
āTwas foolish
But you said, “As you wish”
Then you had to go, you were seeking fortunes,
But you swore you would always make it back to me
Then I was kidnapped by some pirate
Why did you have to go?
And I said…
Humperdinck took me, I thought you’d left me all alone
Now Iāll never doubt you; here they come, weād better run
You’ll be the pirate and I’ll be the princess,
It’s a love story, baby, just say, “Yes”
So I ran out to the fire swamp with you
Tried to keep quiet ’cause we’re dead if they knew
Iāll close my eyes… avoid the rodents of unusual size
But at the other end the evil Prince was waiting
Humperdinck said, “Get away from Buttercup”
But you were everything to me,
and I was begging him, “Let him go”
So I saidā¦
Humperdinck, take me and leave him alone
I’ll come quietly; promise you Iāll never run
You are my prince and I’ll be your princess
It’s a love story, baby, Iāll say “Yes”
Westley, please save me, I just don’t know what to do
I don’t love Humperdinck, Iām so screwed
Iām so afraid, will we make it out of this mess?
It’s a love story, baby, please say, “Yes”
I got tired of waiting
Wondering if you were ever coming around
My faith in you was fading
Then I saw you in that bed, lying down
And you said…
āButtercup, gently, I’ve been mostly dead all day
I came for you, all you had to do was wait
Help me out of bed, this jerk has got to goā
You picked up your sword and stood on your own
and saidā¦
āTo the pain, Humperdinck / You warthog-faced buffoon”
The prince dropped his sword, he won’t be getting married soon
We tied him to a chair and rode off in the sunset
Thatās our love story, baby, we said Yes
So, last year I blogged about my and Rand’s concert at FilKONtario.Ā Well, I recently got that DVD of the concert that Tom promised, and I managed to get some video posted on YouTube over the weekend.
Here’s a link to the playlist I made, which includes five of the songs we performed.
And directly embedded above is “Cliffs of Insanity,” our Princess-Bride themed parody of “Green Hills of Harmony.” (lyrics at the link)
Enjoy! š
This is probably going to be a long one, so prepare yourself! Get a snack; I’ll wait…
I’ve always been a performer in one sense or another. I had a not-insignificant role in my 5th grade play. I was in a community theater production of AnnieĀ when I was in middle school. I was a cheerleader (don’t judge me! And if a cheerleader hurt you in your formative years, let me apologize on behalf of all nice-girl-cheerleaders everywhere…)
I never really thought of myself as a performer in the musical sense. I had been scared off of singing by an experience in middle school (Even after getting a role in Annie, I was cut from the middle school show choir. I ask you,Ā who does that?Ā It was middle school, and it’s not like I went to a performing arts school or it was super competitive or anything…but I digress.) When I went to college, I joined a sorority that took music very, very seriously, and I declared myself a founding member of the “tone deaf club.” Now, to be fair, I knew I wasn’t actually tone deaf, because people who are actually tone deaf have no idea that they’ve hit the wrong note. For us, it was about being people with no musical/vocal training among people who had been singing in choirs their entire lives. I was intimidated. I wasn’t very good at harmonizing. And so, I went merrily on with my life, singing when I had to (at things like Greek Sing, or other sorority events), but otherwise, singing along with the radio or my CDs was about it.
Well, it’s probably no surprise that the longer I hung around in filk, the more people started to express an interest in hearing me sing (*coughdebbieohicough*). I protested at first, but little by little, people started to wear me down. š The first time I sang at all was in a very tiny circle very late at night at GAFilk in 2007. I blame Amanda.
Amanda is one of my co-editors at Toasted Cheese, and the reason I sort of kind of knew what filk was before I even met Rand. We had been online buds since…ummm…I’m going to say 1999? But this was the first time we had met in person. Anyway, Amanda had written a short filk of “One Singular Sensation” and she asked me to sing it with her. We practiced it a few times, and then went looking for a small circle to sing it in. So, a handful of people in that room heard me sing that night.
I think it might have been the following year (at GAFilk again) that Rand convinced me to sing a bit of a Flaming Lips song with him–not “Yoshimi,” but “Fight Test,” which has a chorus with overlapping parts that becomes counterpoint at the end. The Flaming Lips are kind of known for having a singer who can’t really sing, so I figured it was pretty low pressure. (Actually, here’s a post I wrote about that.)
After that, he convinced me to try “Yoshimi,” which would have me singing lead. We worked on it, and I sang it in a circle at FKO in 2009.
(Photo by Brooke Lunderville)
People seemed to enjoy that, so I was encouraged. Rand and I kept singing “Yoshimi” in circles, but I was a little worried that people were going to start to get sick of hearing it, so I never really pushed for it. š
In 2010, Rand and Adam were nominated for a Pegasus award, and Adam was unable to attend the convention to perform it. Rand asked me if I wanted to try to do it. “Um…” I said. Ā I agreed to work on it with him (and I think I only freaked out and had a meltdown once!) We went ahead and did it, and but for the fact that I was later informed that Rand’s microphone wasn’t working,Ā I think it went okay.
(Photo by Walter Korynkiewicz)
Fast forward to last year, when Tom contacted Rand to invite us to be this year’s Filk Waifs. We started putting together a list of things we might be able to sing together, as well as ideas for songs (mostly parodies) that we might be able to write. I bought a ukulele last August, thinking that I might get good enough at one or two things to play it in the concert. (that…did not happen. It will, but I was more focused on the singing. Did I mention I was nervous about the singing? I ended up taking voice lessons from a former colleague, which was a HUGE help. Thanks again, Shelley!)
(practicing in UT’s room Saturday morning. I’m playing a melodica–also known as a hooter. Photo by Allison Durno)
Fast forward again to the day of the concert. The Filk Waif concert is the first concert on Saturday. After having breakfast, Rand and I met up with UT to rehearse a song they were going to be performing with us, and we showed them a couple of other things we were going to be performing as well. It was really, really good for me to have a chance to warm up.Ā Ā After that, there were a couple of workshops. I ran one on calligraphy and paper crafts. Tim Walker ran a percussion workshop at the same time, which I am super bummed I couldn’t attend! I’ll write more about the workshop later. After the workshop, we grabbed a quick bite to eat in our room, and then it was go time!
(Photo by Debbie Ohi)
Here’s the set we played:
If you’re interested in the lyrics (other than the parodies I wrote/co-wrote, which can be found at the links), they can all quite easily be found by googling. I’m tired. š
I’m pretty sure it was a success. š After we left the stage, Tim and Annie (who knew how nervous I was) ran over to us and gave us gigantic hugs, and everyone we talked to seemed to enjoy the performance. So…singing! Win! Right now, the “Dear Seanan” video is the only one I am aware of. I’m sure other things will appear eventually, and I’ll let you know!
Here’s Allison’s post about Saturday at FKO. I’ll have more later. Stay tuned!
To tell you the truth, I’m not really sure where to begin. I guess I’ll begin here: FKO 23 was simply amazing.
(I know that ribbon is hard to read, but it says “Guest.”)
I mentioned before, but I will mention again, that I’ve been attending FKO regularly since Rand first brought me there in 2005. (I appear not to have taken any photos at FKO 2005. I’m going to borrow some!)
(Me with Debbie Ohi at FKO 2005. Photo by Allison Durno)
I had a wonderful time at my first FKO (which was also my first Filk convention); I got to meet/see/hear so many fantastic people, like Debbie, Allison, and Jodi of Urban Tapestry, and Carla Ulbrich and Joe Giacoio, and Tom Smith, and John Hall, and Tanya Huff, and Steve MacDonald, and Mary Ellen Wessels, and Kathleen Sloan, and…oh, man folks, we could be here all day. š Let’s just say that if I met/encountered you at FKO in 2005, you were part of a very important moment in my life. What I can say, without a doubt, is that I felt immediately welcomed. I was afraid it would be awkward. Here was Rand, bringing in this new person. I didn’t sing or play an instrument; I am introverted and tend to be awkward in social situations when I don’t know many people. Those worries turned out to be unfounded, and needless to say, I kept coming back.
And fast forward to this…
When Rand told me that Tom had contacted him and wanted us to be Filk Waifs at FKO this year, I was incredibly honored. I think I cried a little. (and let’s be perfectly honest…I was also a little terrified. Not so much about the hosting duties, but about the fact that the gig comes with a concert. I started to get all rambly here, but I decided that I’m going to move all the rambly bits about singing to a separate post, which will include details about the concert…look for that soon.)
(Hanging out in the con suite Friday evening. Photo by Dave Weingart. I’ll be relying on the photos of others for most of this post, as I was a bit too preoccupied to take very many photos myself!)
Rand and I arrived at the hotel late Thursday afternoon and got to enjoy a nice dinner in the hotel restaurant with Tom and Sue Jeffers, Dave Clement, and Ju Honisch. And to tell you the truth, I have very little memory of what else we did on Thursday. It was nice arriving on Thursday, though, because it allowed us to have a pretty easygoing Friday. These details are also a little fuzzy, so I’m going to skip on ahead to the actual convention.
(Photo by Phil Mills)
After an informal meet-and-greet, things kicked off with Kathleen Sloan performing her song “Take it Back.” The song has a beautiful message, and I think the world would be a better place if more people took it to heart!
The opening song was followed by concerts from Judith Hayman and Peggi Warner-Lalonde and Cat Faber, both of which were lovely. It was during Friday night’s concerts that Rand and I began our hosting duties, giving brief introductions for each of the performers and making various announcements throughout the weekend. As each of the performers took the stage, we asked them to answer a question from our Master List of Questions. (Sample questions: Flight or invisibility? Kirk or Picard? What product do you most miss from your childhood? And so on…)
I think the questions were a hit. š After the opening concerts, we headed into the night’s big event: Urban Tapestry’s 20th Anniversary concert!
(Photo by Dave Weingart)
Urban Tapestry is always a pleasure to see and hear, and this concert was no exception! Here’s a link to Allison’s livejournal that includes a video of one of the songs they performed (“I Am Stardust”). Allison wrote more about Friday night at FKO here.
And…I think this is going to be a long one, so I’m going to call this part one and end it here. More coming soon!
This one is called “Cliffs of Insanity” and it’s a parody of “Green Hills of Harmony” (which is itself a parody of “Farewell to Sicily” (or “Banks of Sicily”)Ā a Scottish song from WWII). Subject matter should be apparent. š Lyrics are by me and Rand.
The lady is kidnapped and Guilder is framed
The six-fingered man haunts my subconscious brain
The rhymes of the giant drive Vizzini insane
And that word doesnāt mean what heās thinkinā
And itās sail, sail away from that sailboat
He may be gaining, but weāre not afraid
As we sail for the cliffs of insanity
All of the eels are shrieking
We donāt want to kill her, but itās hard to avoid
Vizzini has told us weāll be unemployed ā >
Fezzik offers a peanut ā Vizziniās annoyed
When we get to the top, weāll be leavinā
And itās scale, scale, the side of the mountain
Hang on to Fezzik ā the man in black gains
As we climb up the Cliffs of Insanity
All of the eels are shrieking
Itās time for a fight now, and well-matched are we
But Iām not left-handed, and neither is he
I have to admit that heās better than me
And Iām knocked on the head when heās leavinā
And itās sleep, sleep, sleep off the headwound
Iāll wait for Vizzini ā I will not be moved
And itās fare ye well, ye cliffs of insanity
All of the eels are shrieking
Some fight for the glory. Some fight for the pay
But I am the Spaniard, and fightingās my way
Itās a hard life to live, and a high price to pay
When the six-fingered man is still breathinā
Hello ā My name is Inigo Montoya
You killed my father ā Prepare to die
And itās fare ye well ye Cliffs of Insanity,
All of the eels are shrieking
Video of Rand and me performing “Dear Seanan”- a parody of Seanan McGuire’s song “Dear Gina” based on her October Daye series. Lyrics (by me and Merav Hoffman) are below the cut.
So, as many of you probably know, I’m married to half of the nerd-rock band Ookla the Mok. And as you may have heard by now, Ookla has a brand new CD out! It’s called vs. Evil, and it’s chock full of songs about supervillains and mad scientists. The totally fantabulous cover art is by Art Baltazar, creator of (among other things) Tiny Titans.
Click here for complete lyrics/liner notes.
The entire album is super fun–the lyrics are funny, and the tunes cover a wide range of musical styles, including hip hop, power pop, and 80s hair metal. I’d listen to Ookla even if I wasn’t married to one of them. š
If you’re interested, but not sure if you want to buy, you can listen first on facebookĀ or on soundcloud. Here’s a little taste for you:
[I can’t make the soundcloud widget work, so just click here.]
More Ookla:Ā
Reviews:
Buy: